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Poetry for These Trying Times

Calling on All Silent Minorities by June Jordan 

HEY

C’MON
COME OUT

WHEREVER YOU ARE

WE NEED TO HAVE THIS MEETING
AT THIS TREE

AIN’ EVEN BEEN
PLANTED
YET

Poetry is a political act because it involves telling the truth."

- June Jordan

June Jordan, a Black woman with short black and grey hair is seen.
June Jordan, a Black woman with short black and grey hair is seen.

EVERY DAY, I GIVE UP by Rudy Francisco

For twenty minutes

but decide to
push through
on the twenty-first.

Survival is a ritual,
a ceremony, and
a practice.

The human heart beats approximately 4,000 times per hour and each pulse, each throb, each palpitation is a trophy engraved with the words ‘you are still alive.’ You are still alive. Act like it.”

- Rudy Francisco

Rudy Francisco, a Black man, is seen in front of a mic, wearing a black jacket.
Rudy Francisco, a Black man, is seen in front of a mic, wearing a black jacket.

Notes after Watching the Inauguration by KB Brookins

I walk campus and wonder if I’m standing
on an unmarked grave. Are we under
concrete, grass, or any other forced terrains?
I wonder again, this time, if violence is
a remix of what the making of America
is while white boys blare music. They use
MAGA banners as decoration on white walls
down the hall from Starbucks. Is Starbucks
a stand-in for brother? Time is a mark
of body decay and not much else.



Before I was a poet, I was a lineage. One that
asked questions of the diner when they didn’t
let us in, one asking if I’d like my mocha
with the white chocolate as white girls
celebrate victory. Who wins when I decide
white. Before I was human, I was free,
which is the healthiest of human abstractions.
Free has the best marketing team. I am
the violence that forced itself into life.



In an alternate timeline, I was someone
with less life taken up by what kills me.
More sure I had a home, its history
singed in paneled pink walls. Sure
that it was mine and safe to dance in;
I was happier there, since there are
no inaugurations. There are no cameras
capturing my ending.

At the protest, I see them with their cameras.
They snapped faces of weary elders
in their cameras. They got BLM as hashtag,
Blackness as temporary and distant
in their cameras. Can they, through bright
silence and access to hope, see me?
They got the whole wide world watching us
perish. They got the whole wide world
in their terror-lens.

Turn off your Wi-Fi. Bring plenty
of water. Wear masks and gloves;
get up when they spray you.
Call for help, call for anybody
but them. Singe contacts on
your skin. They get mad when they
can see your camera. If you listen
to the chants enough times,
you’ll catch on perfectly. Broken hearts
in unison sound easy, like doomsday.



When the white folks come for me,
When the state troopers come for me,
When the graveyard comes for me,
When the Starbucks comes for me,
When the cameras come for me,
When Republicans come for me,
When Democrats come for me,
When my own demise comes for me,
Who will answer the door?



This is not my house. Someone else
must open it.

There was a world in which people thought that slavery was always going to exist...There was a world in which people thought that being queer or trans publicly,...would always be met with antagonism. And those things have changed, despite all of the opposition wanting it not to be so; despite people in the present day wanting to bring those times back, it has changed.”

- KB Brookins

KB Brookins, a Black person with locs, glasses, and a septum piercing, is seen.
KB Brookins, a Black person with locs, glasses, and a septum piercing, is seen.

A Litany for Survival by Audre Lorde

For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children’s mouths
so their dreams will not reflect
the death of ours;

For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother’s milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.

And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive.

When I dare to be powerful, to use my strength in the service of my vision, then it becomes less and less important whether I am afraid.”

- Audre Lorde

Audre Lorde, a Black woman with a head wrap, is seen.
Audre Lorde, a Black woman with a head wrap, is seen.

anti poetica by Danez Smith

who cares how long i’ve spent with my poems—those shit psalms those rats of my soul—head first thru the window me at their ankles demanding substance, revelation, sudden gravity—shamed of my leafless, drug shanked brain—this grey popper worn hell—that dark dull circle i try to conquer beauty & the state from within. i’m not revolutionary i’m regular. nothing radical in being the enemy of america, the country of enemies. we find our laughter between the horror. stop asking me to explain having a body & a mind & a heart—their harmonies, their plots to murder each other. i’ve lived long in a low solstice—wife of a pipe & the blue lit plain—leo trash—saved by occasional dick & the knowledge of my mother, friends i confess my pocked seasons only after their caul. arachnid moods—self-cornered—text back weak—i haven’t been much lately—the dark season lasted years, swallowing seasons, collecting itself in my shallows like a motor-sheered fish. where did the poems go? what is their trouble? what kind of water is i?

scooby-doo was trying to tell us something when every time that monster mask got snatched off it was a greedy white dude.”

- Danez Smith

Danez Smith, a Black person, is seen, with closed eyes, and their hand on their mouth.
Danez Smith, a Black person, is seen, with closed eyes, and their hand on their mouth.

Someone Leans Near by Toni Morrison

Someone leans near
And sees the salt your eyes have shed.

You wait, longing to hear
Words of reason, love or play
To lash or lull you toward the hollow day.

Silence kneads your fear
Of crumbled star-ash sifting down
Clouding the rooms here, here.

You shore up your heart to run. To stay.
But no sign or design marks the narrow way.

Then on your skin a breath caresses
The salt your eyes have shed.

And you remember a call clear, so clear
“You will never die again.”

Once more you know
You will never die again.

I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.”

- Toni Morrison

Against, a dark background, Toni Morrison, a Black woman with grey locs, is seen in a black top, holding her face in her hands, while smiling.
Against, a dark background, Toni Morrison, a Black woman with grey locs, is seen in a black top, holding her face in her hands, while smiling.

You See This by Octavia Butler

You see this
This is what is in you
What makes you
What connects you
You are more than flesh and bone
More than blood and sinew
More than tendon and cartilage
You are forever
You are everything everywhere
All at once
You are universes and galaxies
Still undiscovered
You are star dust
Quasar
Nebula
Light and light and light
Even if you feel like a black hole
Even if you feel the world crumbling
Even if you feel the cold of void
Of evil
Of hatred
Of ignorance
They can not box you
They are rooted
In capitalism
In greed
In the lies of their own supremacy
They are dirt
nutrients stripped
Dry
Nothing
Dust
You are seed
You are universe
You are power
You are the soul of the constellations
You are time without end
Infinite infinite infinite
You are creation
before creation
begetting creation
You are change
God is change
You are GOD
If
and
when
you forget this
Look to the heavens
See your destiny
“to take root among the stars.”

The very act of trying to look ahead to discern possibilities and offer warnings is in itself an act of hope.”

- Octavia Butler

Octavia Butler, a Black woman with an afro, is seen seated, beside a bookshelf.
Octavia Butler, a Black woman with an afro, is seen seated, beside a bookshelf.

This Is Not a Small Voice by Sonia Sanchez

This is not a small voice
you hear this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river
mouths.

This is not a small love
you hear this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet
with hands
that nourishes, conceives, feels the
water sails
mends the children,
folds them inside our history
where they
toast more than the flesh
where they suck the bones of the
alphabet
and spit out closed vowels.
This is a love colored with iron
and lace.
This is a love initialed Black
Genius.

This is not a small voice
you hear.

I write to keep in contact with our ancestors and to spread truth to people.”

- Sonia Sanchez

Sonia Sanchez, a Black woman with braids, is seen, smiling.
Sonia Sanchez, a Black woman with braids, is seen, smiling.

Bullet Points by Jericho Brown

I will not shoot myself
In the head, and I will not shoot myself
In the back, and I will not hang myself
With a trashbag, and if I do,
I promise you, I will not do it
In a police car while handcuffed
Or in the jail cell of a town
I only know the name of
Because I have to drive through it
To get home. Yes, I may be at risk,
But I promise you, I trust the maggots
Who live beneath the floorboards
Of my house to do what they must
To any carcass more than I trust
An officer of the law of the land
To shut my eyes like a man
Of God might, or to cover me with a sheet
So clean my mother could have used it
To tuck me in. When I kill me, I will
Do it the same way most Americans do,
I promise you: cigarette smoke
Or a piece of meat on which I choke
Or so broke I freeze
In one of these winters we keep
Calling worst. I promise if you hear
Of me dead anywhere near
A cop, then that cop killed me. He took
Me from us and left my body, which is,
No matter what we've been taught,
Greater than the settlement
A city can pay a mother to stop crying,
And more beautiful than the new bullet
Fished from the folds of my brain.

Hope is always accompanied by the imagination, the will to see what our physical environment seems to deem impossible. Only the creative mind can make use of hope. Only a creative people can wield it.”

- Jericho Brown

Jericho Brown, a Black man with locs, looks directly at the camera.
Jericho Brown, a Black man with locs, looks directly at the camera.

The World We Want Is Us by Alice Walker

It moves my heart to see your awakened faces;
the look of “aha!”
shining, finally, in
so many
wide open eyes.
Yes, we are the 99%
all of us
refusing to forget
each other
no matter, in our hunger, what crumbs
are dropped by
the 1%.
The world we want is on the way; Arundhati
and now we
are
hearing her breathing.
That world we want is Us; united; already moving
into it.

The most common way people give up their power is by thinking they don't have any.”

- Alice Walker

Alice Walker, a Black woman with locs, is seen seated, signing books.
Alice Walker, a Black woman with locs, is seen seated, signing books.

I know crips live here by Leah Lakshmi Piepzna-Samarasinha

I know crips live here. So many couches and blanket throws.

I know crips live here.
A bathroom filled with coconut oil, unscented conditioner and black soap.

I know crips live here.
Your Humira and T on the bottom shelf of the fridge.

I know crips live here.
Only house on the block with a homemade ramp, property standards so mad.

I know crips live here.
Big exhale at the shower chair, the slip pads and the air purifier.

I know crips live here.
I see all the things in reach around your mattress of glory, the vibrator, the library books, the TV, the stuffed animals.

I know crips live here.
Straws and Poise pads and crosswords and weighted blankets and stim toys.

I know crips live here.
You've been home for a couple days. A week. That's the imprint of your ass in the couch surrounded by empty bags of food and plates and the Advil and the heating pad.

I know crips live here.
50 pounds of epsom salts, from the farm store, your painkiller display like an altar.

I know crips live here.
I see your EBT card and your fought for DSHS care attendant.

I know crips live here.
How you taught yourself to be an herbalist so you could afford to manage your pain.

I know crips live here.
Everybody late.

I know crips live here.
Your dogs, cats and stuffed animals are part of your family.

I know crips live here.
Your disabled parking placard a candle in the window.

I know crips live here.

Welcome
You are home.

Collective care means shifting our organizations to be ones where people feel fine if they get sick, cry, have needs, start late because the bus broke down, more slower, ones where there's food at meetings, people work from home - and these aren't things we apologize for.”

- Leah Lakshmi Piepzna-Samarasinha

Leah Lakshmi Piepzna-Samarasinha, a brown femme with shoulder length hair is seen outside, with greenery behind her.
Leah Lakshmi Piepzna-Samarasinha, a brown femme with shoulder length hair is seen outside, with greenery behind her.

Such Beauty from Ashes by Carolyn Marie Rodgers

and we are singing our hearts out, and
our souls are in our eyes,
and they are beautiful souls.
they are souls of truth.
they are souls of love.
they are souls of faith.
they are souls of hope.
and we have conquered a little corner in the
world of fear.

and we have stepped up and forward,
and we have torn down walls.
we have smashed sound barriers between us.
we have dared again and again and yet again to dream,
and our dreams have finally taken material form.
we have changed our hearts.
we have altered and changed our minds,
and because of this, we now have some
valor and strength,
and we are threatening to change the world.
that it might be a better place.
For us and for all god’s children.
for all that we are.
for all that we might be
we have done it.
And we rise now as one voice, with many harmonies,
Through the mystery and beauty of harmony.
One voice

Though many, for one, for all.
For all the earth to grow and know,
From the mounds of ashes of our dead, our martyred,
Our lambs, our sacrificed, those who died and have been dead
So long, so long they are no more than, nor any less than,
Sacred memories. Mountains of ashes, of our sweet, beloved,
Beautiful dead.
Today, what beauty we now have, to gain strength from to continue on,
Beauty,
From ashes.



The thing that destroys a person is not the knowing but the knowing and not doing."

- Carolyn Marie Rodgers

Carolyn Marie Rodgers, a Black woman, in a head wrap, is seen outdoors.
Carolyn Marie Rodgers, a Black woman, in a head wrap, is seen outdoors.

Appalachian Elegy by bell hooks

fierce grief shadows me
I hold to the memory
of ongoing loss
land stolen bodies shamed
everywhere the stench of
death and retribution
all around me
nature demands amends
spirit guides me
to take back the land
make amends
silence the cries of the lost
the lamentations
let them sleep forever sublime
knowing that we
have made a place
that can sustain us
a place of certainty
and sanctuary

Being oppressed means the absence of choices”

- bell hooks

bell hooks, a Black woman with an afro, is seen, with her face held by her hand.
bell hooks, a Black woman with an afro, is seen, with her face held by her hand.

Being by Tanaya Winder

Wake up, greet the sun, and pray.
Burn cedar, sweet grass, sage—
sacred herbs to honor the lives we’ve been given,
for we have been gifted these ways since the beginning of time.
Remember, when you step into the arena of your life,
think about those who stand beside you, next to, and with you.
Your ancestors are always in your corner, along with your people.
When we enter this world we are born hungry,
our spirits long for us to live out our traditions
that have been passed down for generations.
Prayer, ceremony, dance, language—our ways of being.
Never forget you were put on this earth for a reason—
honor your ancestors.
Be a good relative.

Poetry has the potential to create community for people who are searching for it by providing a space to interact and share experiences on the page."

- Tanaya Winder

Tanaya Winder, an Indigenous woman, with dark curly hair, is seen.
Tanaya Winder, an Indigenous woman, with dark curly hair, is seen.

If We Must Die by Claude McKay

If we must die, let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursèd lot.
If we must die, O let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
O kinsmen! we must meet the common foe!
Though far outnumbered let us show us brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we’ll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!

The Europeans fight to exterminate us and call it civilizing us.”

- Claude McKay

Claude McKay, a Black man, in a suit, is seen.
Claude McKay, a Black man, in a suit, is seen.

Speech to the Young by Gwendolyn Brooks

Say to them,
say to the down-keepers,
the sun-slappers,
the self-soilers,
the harmony-hushers,
"even if you are not ready for day
it cannot always be night."
You will be right.
For that is the hard home-run.

Live not for battles won.
Live not for the-end-of-the-song.
Live in the along.

We are each other's harvest; we are each other's business; we are each other's magnitude and bond."

- Gwendolyn Brooks

Gwendolyn Brooks, a Black woman with short hair, is seen smiling, at a typewriter, with a bookshelf behind her.
Gwendolyn Brooks, a Black woman with short hair, is seen smiling, at a typewriter, with a bookshelf behind her.

A New National Anthem by Ada Limón

The truth is, I’ve never cared for the National
Anthem. If you think about it, it’s not a good
song. Too high for most of us with “the rockets
red glare” and then there are the bombs.
(Always, always, there is war and bombs.)
Once, I sang it at homecoming and threw
even the tenacious high school band off key.
But the song didn’t mean anything, just a call
to the field, something to get through before
the pummeling of youth. And what of the stanzas
we never sing, the third that mentions “no refuge
could save the hireling and the slave”? Perhaps,
the truth is, every song of this country
has an unsung third stanza, something brutal
snaking underneath us as we blindly sing
the high notes with a beer sloshing in the stands
hoping our team wins. Don’t get me wrong, I do
like the flag, how it undulates in the wind
like water, elemental, and best when it’s humbled,
brought to its knees, clung to by someone who
has lost everything, when it’s not a weapon,
when it flickers, when it folds up so perfectly
you can keep it until it’s needed, until you can
love it again, until the song in your mouth feels
like sustenance, a song where the notes are sung
by even the ageless woods, the short-grass plains,
the Red River Gorge, the fistful of land left
unpoisoned, that song that’s our birthright,
that’s sung in silence when it’s too hard to go on,
that sounds like someone’s rough fingers weaving
into another’s, that sounds like a match being lit
in an endless cave, the song that says my bones
are your bones, and your bones are my bones,
and isn’t that enough?

Caring for each other is a form of radical survival that we don't always take into account.”

- Ada Limón

Ada Limón, a racialized woman with shoulder-length straight black hair, parted to the side, is seen, against a black background.
Ada Limón, a racialized woman with shoulder-length straight black hair, parted to the side, is seen, against a black background.

Incantation of the First Order by Rita Dove

Listen, no one signed up for this lullaby.
No bleeped sheep or rosebuds or twitching stars
will diminish the fear or save you from waking

into the same day you dreamed of leaving—
mockingbird on back order, morning bells
stuck on snooze—so you might as well

get up and at it, pestilence be damned.
Peril and risk having become relative,
I’ll try to couch this in positive terms:

Never! is the word of last resorts,
Always! the fanatic’s rallying cry.
To those inclined toward kindness, I say

Come out of your houses drumming. All others,
beware: I have discarded my smile but not my teeth.

Our situation is intolerable, but what's worse is to sit here and do nothing.”


- Rita Dove

Rita Dove, a Black woman with short curly black hair, is seen.
Rita Dove, a Black woman with short curly black hair, is seen.

Mother to Son by Langston Hughes

Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor--
Bare.
But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark
Where there ain’t been no light.
So boy, don’t you turn back.
Don’t you set down on the steps
’Cause you finds it’s kinder hard.
Don’t you fall now--
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.

I tire so of hearing people say,

Let things take their course. Tomorrow is another day.

I do not need my freedom when I'm dead.”

- Langston Hughes

Langston Hughes, a Black man, is seen outside, wearing a hat, with a suit and tie.
Langston Hughes, a Black man, is seen outside, wearing a hat, with a suit and tie.

why some people be mad at me sometimes by Lucille Clifton

they ask me to remember
but they want me to remember
their memories
and i keep on remembering
mine.

You might as well answer the door, my child, the truth is furiously knocking.”

- Lucille Clifton

Lucille Clifton, a Black woman with an afro is seen, seated on a white chair.
Lucille Clifton, a Black woman with an afro is seen, seated on a white chair.

Wishes for the Rich by Steven Willis

after Lucille Clifton

I wish them more mouths to feed
I wish them no hot water
I wish them a petty landlord
I wish them a pack of noodles
with the seasoning packet missing
I wish them tonight's dinner still frozen in the freezer
I wish them no McDonald's money
I wish them no income tax check
I wish them paid on the 1st
I wish them broke by the 3rd
I wish them a baby daddy
who is no help and won't answer the phone
I wish them expensive childcare
I wish them an aching body
I wish them longer hours
I wish them exhaustion
and then
I wish them an extra shift,
the graveyard.

I’m not the right’s monster, I’m not the left’s martyr."

- Steven Willis

Steven Willis, a Black man, is seen. He is wearing a grey hoodie and black beanie. He holds up his book, "A Peculiar People."
Steven Willis, a Black man, is seen. He is wearing a grey hoodie and black beanie. He holds up his book, "A Peculiar People."

For My People by Margaret Walker

For my people everywhere singing their slave songs repeatedly: their dirges and their ditties and their blues and jubilees, praying their prayers nightly to an unknown god, bending their knees humbly to an unseen power;

For my people lending their strength to the years, to the gone years and the now years and the maybe years, washing ironing cooking scrubbing sewing mending hoeing plowing digging planting pruning patching dragging along never gaining never reaping never knowing and never understanding;

For my playmates in the clay and dust and sand of Alabama backyards playing baptizing and preaching and doctor and jail and soldier and school and mama and cooking and playhouse and concert and store and hair and Miss Choomby and company;

For the cramped bewildered years we went to school to learn to know the reasons why and the answers to and the people who and the places where and the days when, in memory of the bitter hours when we discovered we were black and poor and small and different and nobody cared and nobody wondered and nobody understood;

For the boys and girls who grew in spite of these things to be man and woman, to laugh and dance and sing and play and drink their wine and religion and success, to marry their playmates and bear children and then die of consumption and anemia and lynching;

For my people thronging 47th Street and Lenox Avenue in New York and Rampart Street in New Orleans, lost disinherited dispossessed and happy people filling the cabarets and taverns and other people’s pockets and needing bread and shoes and milk and land and money and something—something all our own;

For my people walking blindly spreading joy, losing time being lazy, sleeping when hungry, shouting when burdened, drinking when hopeless, tied, and shackled and tangled among ourselves by the unseen creatures who tower over us omnisciently and laugh;

For my people blundering and groping and floundering in the dark of churches and schools and clubs and societies, associations and councils and committees and conventions, distressed and disturbed and deceived and devoured by money-hungry glory-craving leeches, preyed on by facile force of state and fad and novelty, by false prophet and holy believer;

For my people standing staring trying to fashion a better way from confusion, from hypocrisy and misunderstanding, trying to fashion a world that will hold all the people, all the faces, all the adams and eves and their countless generations;

Let a new earth rise. Let another world be born. Let a bloody peace be written in the sky. Let a second generation full of courage issue forth; let a people loving freedom come to growth. Let a beauty full of healing and a strength of final clenching be the pulsing in our spirits and our blood. Let the martial songs be written, let the dirges disappear. Let a race of men now rise and take control.

The poetry of a people comes from the deep recesses of the unconscious, the irrational and the collective body of our ancestral memories.”

- Margaret Walker

Margaret Walker, a Black woman with short black hair is seen, writing in a book.
Margaret Walker, a Black woman with short black hair is seen, writing in a book.

For Nothing Is Fixed by James Baldwin

For nothing is fixed,
forever, forever, forever,
it is not fixed;
the earth is always shifting,
the light is always changing,
the sea does not cease to grind down rock.
Generations do not cease to be born,
and we are responsible to them
because we are the only witnesses they have.
The sea rises, the light fails,
lovers cling to each other,
and children cling to us.
The moment we cease to hold each other,
the moment we break faith with one another,
the sea engulfs us and the light goes out.

Not everything that is faced can be changed, but nothing can be changed until it is faced.”

- James Baldwin

James Baldwin, a Black man in a suit, is seen, smiling.
James Baldwin, a Black man in a suit, is seen, smiling.

When I Die by Nikki Giovanni

when i die i hope no one who ever hurt me cries
and if they cry i hope their eyes fall out
and a million maggots that had made up their brains
crawl from the empty holes and devour the flesh
that covered the evil that passed itself off as a person
that i probably tried
to love

when i die i hope every worker in the national security
council
the interpol the fbi cia foundation for the development
of black women gets
an extra bonus and maybe takes one day off
and maybe even asks why they didn't work as hard for us
as they did
them
but it always seems to be that way

please don't let them read "nikki-roasa" maybe just let
some black woman who called herself my friend go around
and collect
each and every book and let some black man who said it was
negative of me to want him to be a man collect every picture
and poster and let them burn -throw acid on them- shit
on them as
they did me while i tried
to live

and as soon as i die i hope everyone who loved me learns
the meaning
of my death which is a simple lesson
don't do what you do very well very well and enjoy it it
scares white folk
and makes black ones truly mad

but i do hope someone tells my son
his mother liked little old ladies with
their blue dresses and hats and gloves that sittin'
by the window
to watch the dawn come up is valid that smiling at an old
man
and petting a dog don't detract from manhood
do
somebody please
tell him i knew all along that what would be
is what will be but i wanted to be a new person
and my rebirth was stifled not by the master
but the slave

and if ever i touched a life i hope that life knows
that i know that touching was and still is and will always
be the true
revolution

i hope i die warmed by the life that i tried to live”

- Nikki Giovanni

Nikki Giovanni, a Black woman, with an afro and glasses, is seen at a podium.
Nikki Giovanni, a Black woman, with an afro and glasses, is seen at a podium.

Continue by Maya Angelou

Into a world which needed you
My wish for you
Is that you continue

Continue

To be who and how you are
To astonish a mean world
With your acts of kindness

Continue

To allow humor to lighten the burden
of your tender heart

Continue

In a society dark with cruelty
To let the people hear the grandeur
Of God in the peals of your laughter

Continue

To let your eloquence
Elevate the people to heights
They had only imagined

Continue

To remind the people that
Each is as good as the other
And that no one is beneath
Nor above you

Continue

To remember your own young years
And look with favor upon the lost
And the least and the lonely

Continue

To put the mantel of your protection
Around the bodies of
The young and defenseless

Continue

To take the hand of the despised
And diseased and walk proudly with them
In the high street
Some might see you and
Be encouraged to do likewise

Continue

To plant a public kiss of concern
On the cheek of the sick
And the aged and infirm
And count that as a
Natural action to be expected

Continue

To let gratitude be the pillow
Upon which you kneel to
Say your nightly prayer
And let faith be the bridge
You build to overcome evil
And welcome good

Continue

To ignore no vision
Which comes to enlarge your range
And increase your spirit

Continue

To dare to love deeply
And risk everything
For the good thing

Continue

To float
Happily in the sea of infinite substance
Which set aside riches for you
Before you had a name

Continue

And by doing so
You and your work
Will be able to continue
Eternally

Do the best you can until you know better. Then when you know better, do better"

- Maya Angelou

Maya Angelou, a Black woman with short black hair, is seen, smiling, with clasped hands.
Maya Angelou, a Black woman with short black hair, is seen, smiling, with clasped hands.